A sad day today with the passing of Donna Summer. I have previously posted her sublime “Working the Midnight Shift” here.
However, this is the all time classic. One of the most influential records of all time; techno, house and all that follows is being invented here. The genius of Giorgio Moroder keeps the pulse going and Donna’s vocals soar ….
The original 12″ version; the Patrick Cowley 15 minute remixed opus and then a live cut …
Friday night. What better than some relentless techno/house monotony to get the weekend rolling.
Heard this for the first time at 5:10pm today and it’s on the blog before 8pm!
Simple but effective. And relentless.
I have found that playing this at ear splitting volume with the bass up high is likely to achieve optimum listening. First, my neighbours, and, now, the police appear to disagree …. See you in court buddy.
My discovery of Beatport over Christmas has turned up quite a few new “all time” favourites. Check here and here for recent posts.
Here’s another. Simple bass and drum machine with a killer sample as if from the halcyon days of Trax Records/DJ International/Chicago House late 80s heaven. Admirably relentless.
Afficionados will spot that the sample is Tupac Shakur (2Pac) from his “Fortune and Fame” interview (no, me neither).
Since discovering Beatport at the tail end of last year (check here), I’ve been getting back up to speed with the wonderful world of Deep House.
Originating in the classic Trax/DJ International world of Chicago in the late 1980s (with Marshall Jefferson and Larry Heard as the godfathers) , there are now a bewildering number of releases every week.
To be frank, the technology has made it too simple for incompetent purveyors of formulaic nonsense to release their noodlings. In the world of t’internet, trying to sort out the wheat from the chaff is ever harder.
Beatport is a great help in identifying the good stuff and here is a classic example. Martin Zeyss is the latest in a long line of classic German producers and Maya Jane Coles is one of the hottest remixers of current times. A killer tune.
Just reposted, Marshall Jefferson’s “Time Marches On” from 1987 is one of the founding documents of “deep house” and one of the greatest records of all time - check here for conclusive proof.
Deep House remains one of the loves of my life and this track retains the affection.
A sublime deep house remix/edit of the Minnie Riperton classic from her “Adventures in Paradise” LP of 1975. The original is a wonderful record but this remix just soars.
Ms Riperton is best known for her wonderful “Lovin’ You” single; less well known is that she died of breast cancer aged 31 in 1979.
Marshall Jefferson was one of the towering geniuses of Chicago House and one of the founding fathers of the perfect “deep house” genre. Recording under many monikers (though not, surprisingly, Monica), Marshall Jefferson laid down some of my favourite tracks of all time (also posted here).
Released in 1987 on the stupendous Trax Records label, Mr Jefferson adopted the persona of Jungle Wonz and released one of the finest House records of the decade. Wonderfully relentless, unbelievably simple production – a classic proof that less equals more.
Classic “second generation” Detroit techno from former USAAF serviceman and, err, stand up comedian, Kenny Larkin. (The “first generation” involving luminaries such as Derrick May, Kevin Saunderson, Juan Atkins, etc).
Having released classic tracks such as “War of the Worlds” under the Dark Comedy moniker, Mr Larkin went on to release the wonderful Azimuth LP on Warp Records in 1i994.
This track is taken from the fantastic Art of Dance “Exhibits” LP from mid 1995. Reassuringly relentless techno.
Head back 25 years to 1986 and to one of the crowning glories of the Chicago House era.
Almost everything on Trax Records or DJ International Records is worth tracking down but this is a real stand out.
More than 10 minutes of intense, relentless mayhem by Marshall Jefferson in his very rare guise of Sleazy D. No real tune, the simplest drum machine, a mechanik vocal – a record that should never end.
I’m not sure it is possible to play this record too loud. Go on, have a go.
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