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Archive for the ‘1950s’ Category

The Hearts with Al Sears Orchestra – Lonely Nights (1955)

December 25, 2015 Leave a comment

Following a few days mainly listening to ear bleeding drum and bass/hardcore, I decided to take a detour on Christmas Eve to catch up with my three, four CD, collections of Rhino Records’ “The Doo Wop Box” ….

Within a few minutes, I had stumbled upon this track which I had never heard before but which, immediately, warranted elevation into the pantheon of “thebestmusicofalltime”!

Stately, relentless, plaintiff stuff. Killer vocals, a spoken word interlude and the sax keeping everything in line. It gets no better.

 

Papa Lightfoot – Wine, Women, Whiskey (1954)

August 20, 2015 Leave a comment

Every so often, you stumble upon a song and have a “double-take” as to the year it was recorded.

“Space Guitar” by Johnny Watson, “The Train Kept A Rollin‘” by Johnny Burnette, “Hallogallo” by Neu are just three examples from my experience.

“Wine, Women, Whiskey” by Papa Lightfoot is in the same bracket for me.

Recorded sometime after 1952, and released on the peerless Imperial Records label in 1954, the bass and overdriven guitar seem to invent glam rock even as you listen to it and then the treated vocals and ruthless harmonica create a sound that transcends a period when Elvis was still musing on how he might change the world of popular music and Captain Beefheart was still contemplating his first signs of stubble.

A stunning record: brief, succinct, powerful, impassioned … a fine addition to the bestmusicofalltime!

Rufus Thomas – Bear Cat (1953)

December 30, 2014 Leave a comment

One of music’s first “answer records” …. a song recorded in response to an earlier hit.

Here, Rufus Thomas serves up a stunning response to Big Mama Thornton’s immortal 1952 original reading of “Hound Dog” (previously posted here). “Bear Cat” was Sun Records’ first hit record but was almost a disaster for Sam Phillips’ label as a copyright-infringement suit ensued and nearly bankrupted the operation.

There are so many rock’n’roll records from the 1950s that it is sometimes difficult to sort out the wheat from the chaff. My rule of thumb is simple – judge the record on how raw the guitar is; the rougher the better.

On that basis, this record is as good as it gets; rock’n’roll meets swamp blues … for a more recent example, check Tom Waits’ stunning “Jockey Full of Bourbon” previously posted here.

Just the track!

The Kidds – Drunk, Drunk, Drunk (1955)

December 19, 2014 Leave a comment

Imperial Records are one of my all time favourite record labels and this is typical of the genius of their output.

Released in 1955 (I think!), The Kidds “Drunk, Drunk, Drunk” joins the pantheon of other booze themed records recorded around these times. I have already posted a couple of them here and here.

By far and away the best of these records (and still the most popular entry ever on this blog with 690 hits –  as of today), is Jimmy Liggins’ stupendous “I Ain’t Drunk” posted here.

The Kidds never quite hit the Liggins’ heights and, frankly, I am struggling to transcribe the lyrics in a manner that might remain within the bounds of 21st century decency. However, I presume it’s just my ears playing tricks on me, so over to you ….

Elvis Presley – Tomorrow Night (1954)

December 4, 2014 Leave a comment

Elvis Presley at his purest.

Taken from his early recordings for Sun Records, “Tomorrow Night” confirms Elvis as one of the greatest voices in history.

The first recording of this song was made by Lonnie Johnson in 1948 but the track was actually written by Sam Coslow and Will Grosz.

The Lonnie Johnson recording has a rougher, rawer, feel to it which might appeal to some.

However, Elvis’ recording strips the music back to the barest bones and, as his voice soars over the spectral backing, genius is revealed …

From the same sessions, I’ve already posted Presley’s definitive reading of Blue Moon here.

Lord Invader and His Calypso Rhythm Boys – Teddy Boy Calypso (Bring Back the Cat-o-Nine) (1959)

April 19, 2013 1 comment

First post for several weeks and had no choice but to spring back into blogging action after stumbling upon this remarkable record after dinner this evening.

I’ve been reading a lot of books on 1950s/1960s Britain recently and this song captures the age perfectly. Released on Pye Records in 1959 by Lord Invader, the song is a passionate call for the application of corporal punishment to those pesky Teddy Boys. And all this from a Trinidadian born in 1914 …!

The lyrics:

The only thing to stop these hooligans from causing panic in Great Britain,

The only thing to stop these Teddy Boys from causing panic in England,

Well I hope that the Government see they need another kind of punishment,

I say one thing to cool down this crime is to bring back the old time cat-o-nine.

 

CHORUS:

So the old time cat-o-nine beat them bad and they bound to change their mind,

Send them to Dartmoor with licks like fire and they bound to surrender.

 

The police is working harder and harder to see this thing go no further,

Every night they on duty to safeguard us from violence and robbery,

But they would not stop at all, Peter is going to pay for Paul,

I say one thing to cool down this crime is to bring back the old time cat-o-nine.

 

And in the days of Judge Hitchins, as you know, nothing never happen so,

Any man pass under his hand can tell you of the rod of correction,

He used to treat them meek and mild, he never spare the rod to spoil the child,

I say one thing to cool down this crime let’s thrash them with the old time cat-o-nine

 

And every night they’re walking about in a band attacking woman and man,

You see that though they have no respect for no person beating innocent people,

But the judge and the juries, can settle this thing easily,

I say the cat is the only H-Bomb to drop and this “Robustness” must stop

 

The Crickets – I Fought The Law (1959)

August 17, 2012 Leave a comment

Subsequently made famous by The Bobby Fuller Four in 1966 and The Clash in 1979, the song was actually written in 1958 by Sonny Curtis, and recorded in 1959 when he joined the Crickets, taking the place of the late Buddy Holly on guitar

It first saw the light of day on The Crickets 1960 LP,  In Style with the CricketsThe following year it appeared as the B-side of their single, “A Sweet Love” but never received any airplay …

The guitar on this sounds as fresh as the day it was recorded and an all time classic lyric …

I left my baby and I feel so sad
I guess my race is run
Well, she’s the best girl I’ve ever had
I fought the law and the law won
I fought the law and the law won

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