Archive

Archive for the ‘Classical’ Category

Philip Glass – Song #8 From Cabin in the Rockies (1993)

October 13, 2017 Leave a comment

Re-stumbled upon this, this evening, and only took seconds to realise it needed elevating to the pantheon of the bestmusicofalltime. Pronto!

Hydrogen Jukebox is a (ahem) “chamber opera” featuring music by Philip Glass and words/libretto by iconic beat poet Allen Ginsberg. The title is taken from the latter’s poem Howl.

Apparently Phil and Al bumped into each other in a bookshop in New York and agreed that they just had to work together – the rest is history.

This is simply gorgeous. Glass’s understated minimalist arrangement is wonderfully complemented by Elizabeth Futral’s soaring soprano which essays a few haikus of Mr Ginsberg’s to stunning effect.

A perfect piece.

Advertisements

John Cage – In A Landscape (1948)

October 9, 2017 Leave a comment

Maybe one for a Sunday morning but sounds great on a Monday night. Dreamy, delicate, lyrical piano piece from the avant garde master. Nothing to say. Outstanding.

Tchaikovsky – Arabian Dance (Coffee) (1892)

June 11, 2016 Leave a comment

I’ve been working my way through a 70 CD box-set of classical music featuring some of the finest work of conductor Fritz Reiner. I’ve loaded up a few of my favourites onto my iPod and, happily, while strolling across our local water-meadow to enjoy a pint at the local pub, this came on.  With Russia due to play England in Euro 2016 in a couple of hours, what better way to prepare than to consider this sublime piece from one of that country’s greatest composers.

First premiered in 1892, “Arabian Dance (C0ffee)” is taken from Tchaikovsky’s ballet The Nutcracker. It turns out that Pyotr and I have a fair amount in common – like me he was  educated for a career as a civil servant and, like me, his father was an engineer …. I am hoping that the similarities end there as he died at the age of 53 and I reach that milestone in 8 months time … gulp.

No sign of the Reiner version on Youtube but this is more than good enough!

 

Max Richter – Spring 1 (2012)

May 28, 2016 Leave a comment

Over the years, I have watched my kids perform in a vast number of dance shows – ballet, modern, tap, etc. Now, sadly, they don’t appear in every single dance and, when this happens, one simply hopes that time will pass as quickly as possible or that something calamitous will befall one of their hapless contemporaries …

However, occasionally, you find yourself watching a dance where you are hearing a piece of music for the first time and it just takes your breath away. One example was hearing Miley Cyrus’ “Party in the USA” a few years ago … (I haven’t yet put that on this blog for fear of attracting some derision from my handful of followers who usually think that any departure from the world of Crispy Ambulance b-sides is an appalling sell-out).

A second example is this piece by Max Richter – a reworking (or recomposing) of Summer from Vivaldi’s Four Seasons.  Layering sample upon sample of violins from the original and complementing this with a spot of Moog synth, Richter achieves near perfection in a beautiful composition.

There are a small number of other CDs in the Recomposed series on legendary German classical label Deutsche Grammophon (including a fantastic LP featuring a variety of recompositions  by techno legends Moritz von Oswald and Carl Craig).

The only flaw with this piece is that it is too short …

Portsmouth Sinfonia – Play the Popular Classics (1974)

December 12, 2014 3 comments

The Portsmouth Sinfonia at the absolute height of their powers.

Founded by a group of students at the Portsmouth School of Art in England, in 1970, the Sinfonia had an unusual entrance requirement, in that players had to either be non-musicians, or if a musician, play an instrument that was entirely new to them.

Among the founding members was one of their teachers, English composer Gavin Bryars who was interested more in experimenting with the nature of music than forming a traditional orchestra.

Instead of picking the most competent musicians he could find, he encouraged anyone to join, regardless of talent, ability and experience. The only rules were that everyone had to come for rehearsals and that people should try their best to get it right and not intentionally try to play badly.

Brian Eno was interested enough to join the orchestra, playing clarinet, and subsequently produced their first two albums.

I couldn’t single out a favourite so here’s three for your delectation. A stirring romp through Rossini’s William Tell Overture, a remarkable reading of Beethoven’s 5th Symphony,  and then a definitive interpretation of Richard Strauss’ Also Sprach Zarathustra – if only this had made it into 2001: A Space Odyssey.

 

Arvo Part – Berliner Messe (1990-1992)

December 6, 2014 Leave a comment

I am not a religious person but I love the work of the Estonian minimalist composer Arvo Part who specialises in the production of sublime sacred and choral music. I have previously posted his magnificent Tabula Rasa here.

Wikipedia helpfully (but drily) describes the piece thus:

Commissioned for the 90th Katholikentag in 1990, it was originally scored for SATB soloists and organ. Pärt later revised the piece for chorus and string orchestra. Pärt uses his tintinnabuli technique throughout, with movements taking many forms within that style—flowing from quietly reverent duets between parts to full chorus proclamations of faith.

Two recordings, my favourite “part” of this mass – the Credo – and then the whole magnificent piece.

Sergei Rachmaninov – The Isle of the Dead, Op. 29 (1908)

November 22, 2014 Leave a comment

hat could be better on a Saturday morning than to step back and reflect for twenty minutes on the magnificence of Rachmaninov’s wonderfully evocative and brooding symphonic poem.

The piece was inspired by Arnold Böcklin’s painting “Isle of the Dead” which Rachmaninoff saw in Paris in 1907.

There are several recordings of this masterpiece available but my favourites are the ones by Vladimir Ashkenazy and the Concertgebouw Orchestra and by Fritz Reiner and the Chicago Symphony Orchestra. Check them below!

%d bloggers like this: